![]() ![]() Johansson, whose dynamic presence has already been felt in several films, is every bit his match. ![]() There is little European about Murray, one of America's finest comic talents who generates some laugh-out-loud-funny moments while portraying a memorably authentic character in Bob. She achieves it in a pleasurably understated way, which has already of course had Americans calling the film 'European'! But along the way, Coppola movingly captures in their relationship that all-powerful human need for connection and companionship. As the week draws to a close, there is a connection between them which could be romantic.īy the film's end, nothing really has taken place, and Bob and Charlotte go their separate ways. When Charlotte's husband leaves town for a few days on a shoot, Charlotte and Bob venture out into the city together, go to a party, a bar, hang out in each other's rooms. The two start chatting and immediately empathise with each other's situation. Sitting in the bar of the hotel, he sees a kindred spirit in Charlotte, the twenty-something sitting unhappily as her husband is enthralled by a shallow rock star (Faris) and her entourage. His wife is constantly contacting him about details of the re-modeling of their LA house, but he is uninterested. Harris shoots his commercial - displaying a marked ennui with the whole venture - and is asked to stay on for a chatshow appearance, a request he reluctantly accepts. Murray is a movie star called Bob Harris visiting Japan to shoot a lucrative whiskey commercial, Johansson is Charlotte, the Ivy League-educated wife of a photographer (Ribisi) who is in Tokyo on assignment and paying her little attention.Įach is feeling disconnected from their lives and their partners, a feeling exacerbated by the fact that they are stuck in a skyscraper hotel in an alien city environment. ![]() In fact, for all its charm, the film is little more than a moment in the lives of its two chief protagonists. No emotions here are signposted or over-emphasised, and the sparse screenplay leaves it up to the actors and Coppola's unrushed camera to tell us what is really happening. ![]() Lost In Translation, she says, was inspired by Antonioni and while it has none of Antonioni's elusiveness or sweep, it has the confidence to emulate his subtlety and old-fashioned pacing. Rarely has a western film been shot there and never with such fondness as here.Ĭoppola is unlike the other wunderkinds of her generation - her husband Spike Jonze, Wes Anderson, Alexander Payne or David O Russell - in that she doesn't opt for quirkiness or eccentricity to tell her stories. Set and beautifully shot by Lance Acord in the rooms, bar and corridors of the Park Hyatt Hotel and the streets, subways and bars of the city itself, Lost In Translation is an ode of sorts to the Japanese capital. Then there is the third star of the film - its extraordinary Tokyo setting. An enormously accomplished, highly affecting story of loneliness and human connection, the film possesses an originality, style and generosity which will assure it a big fan base among audiences and critics, not to mention two superior performances from Bill Murray and Scarlett Johansson which are likely to earn awards recognition at year's end. In 2020, she directed the movie On the Rocks.Sofia Coppola proves defiantly that she really is a chip off the old block with her second feature, Lost In Translation. In 2017, she won the Best Director at the 2017 Cannes Film Festival for her work in the movie The Beguiled. The movie received the Primetime Emmy Award nomination. Likewise, in 2015, she released A Very Murray Christmas on Netflix starring Bill Murray. Sofia Coppola at the Academy Awards in 2004, Source: .uk She then directed Marie Antoinette in 2006, Somewhere in 2010, The Bling Ring in 2013, and more. In 2004, she won the Academy Award for Best Original Screenplay for the movie Lost in Translation. She then shifted her interest to filmmaking and in 1999, she made her directorial debut in the 1999 movie The Virgin Suicides. She then appeared in movies like Peggy Sue Got Married in 1986 and The Godfather Part III in 1990. Sofia Coppola’s Professional LifeĬoppola made her film debut as an infant in her father’s movie The Godfather in 1972. Then, she started her own clothing line, Milkfed, which is sold exclusively in Japan. ![]()
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